Books with title Thomas Hardy - A Pair of Blue Eyes

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A Pair of Blue Eyes is a novel by Thomas Hardy, published in 1873, first serialised between September 1872 and July 1873. It was Hardy's third novel, but the first to bear his name on publicationThe book describes the love triangle of a young woman, Elfride Swancourt, and her two suitors from very different backgrounds. Stephen Smith is a socially inferior but ambitious young man who adores her and with whom she shares a country background. Henry Knight is the respectable, established, older man who represents London society. Although the two are friends, Knight is not aware of Smith's previous liaison with Elfride.Elfride finds herself caught in a battle between her heart, her mind and the expectations of those around her – her parents and society. When Elfride's father finds that his guest and candidate for his daughter's hand, architect's assistant Stephen Smith, is the son of a mason, he immediately orders him to leave. Knight, who is a relative of Elfride's stepmother, is later on the point of seeking to marry Elfride, but ultimately rejects her when he learns she had been previously courted.Elfride, out of desperation, marries a third man, Lord Luxellian. The conclusion finds both suitors travelling together to Elfride, both intent on claiming her hand, and neither knowing either that she is already married or that they are accompanying her corpse and coffin as they travelThis was the third of Hardy's novels to be published and the first to bear his name. It was first serialised in Tinsley's Magazine between September 1872 and July 1873.The novel is notable for the strong parallels to Hardy and his first wife Emma Gifford. In fact, of Hardy's early novels, this is probably the most densely populated with autobiographical events.[2]

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

“And so, though Smith was not at all the man Knight would have deliberately chosen as a friend—or even for one of a group of a dozen friends—he somehow was his friend. Circumstance, as usual, did it all. How many of us can say of our most intimate alter ego, leaving alone friends of the outer circle, that he is the man we should have chosen, as embodying the net result after adding up all the points in human nature that we love, and principles we hold, and subtracting all that we hate? The man is really somebody we got to know by mere physical juxtaposition long maintained, and was taken into our confidence, and even heart, as a makeshift.” “Decisive action is seen by appreciative minds to be frequently objectless, and sometimes fatal; but decision, however suicidal, has more charm for a woman than the most unequivocal Fabian success.” “I want something that makes people strong and energetic for the present, that borrows the strength of to-morrow for use to-day—leaving to-morrow without any at all for that matter; or even that would take all life away to-morrow, so long as it enabled me to get home again now.” “On this particular day her father, the vicar of a parish on the sea-swept outskirts of Lower Wessex, and a widower, was suffering from an attack of gout. After finishing her household supervision Elfride became restless, and several times left the room, ascended the staircase, and knocked at her father's chamber-door. 'Come in!' was always answered in a heart out-of-door voice from the inside. 'Papa,' she said on one occasion to the fine, red-faced, handsome man of forty, who, puffing and fizzing like a bursting bottle, lay on the bed wrapped in a dressing-gown, and every now and then enunciating, in spite of himself, about one letter of some word or words that were almost oaths; 'papa, will you not come downstairs this evening?' She spoke distinctly: he was rather deaf. 'Afraid not - eh-h-h! - very much afraid I shall not, Elfride. Piph-ph-ph! I can't bear even a handkerchief upon this deuced toe of mine, much less a stocking or slipper - piph-ph-ph! There 'tis again! No, I shan't get up till tomorrow.' 'Then I hope this London man won't come; for I don't know what I should do, papa.' 'Well, it would be awkward, certainly.' 'I should hardly think he would come today.' 'Why?' 'Because the wind blows so.' 'Wind! What ideas you have, Elfride! Who ever heard of wind stopping a man from doing his business? The idea of this toe of mine coming on so suddenly!... If he should come, you must send him up to me, I suppose, and then give him some food and put him to bed in some way. Dear me, what a nuisance all this is!' 'Must he have dinner?' 'Too heavy for a tired man at the end of a tedious journey.' 'Tea, then?' 'Not substantial enough.' 'High tea, then? There is cold fowl, rabbit-pie, some pasties, and things of that kind.' 'Yes, high tea.' 'Must I pour out his tea, papa?' 'Of course; you are the mistress of the house.' 'What! sit there all the time with a stranger, just as if I knew him, and not anybody to introduce us?' 'Nonsense, child, about introducing; you know better than that. A practical professional man, tired and hungry, who has been travelling ever since daylight this morning, will hardly be inclined to talk and air courtesies tonight. He wants food and shelter, and you must see that he has it, simply because I am suddenly laid up and cannot. There is nothing so dreadful in that, I hope? You get all kinds of stuff into your head from reading so many of those novels.”

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A Pair of Blue Eyes is a novel by Thomas Hardy, published in 1873, first serialised between September 1872 and July 1873. It was Hardy's third published novel, and the first not published anonymously upon its first publication.The book describes the love triangle of a young woman, Elfride Swancourt, and her two suitors from very different backgrounds. Stephen Smith is a socially inferior but ambitious young man who adores her and with whom she shares a country background. Henry Knight is the respectable, established, older man who represents London society. Although the two are friends, Knight is not aware of Smith's previous liaison with Elfride.Elfride finds herself caught in a battle between her heart, her mind and the expectations of those around her – her parents and society. When Elfride's father finds that his guest and candidate for his daughter's hand, architect's assistant Stephen Smith, is the son of a mason, he immediately orders him to leave. Knight, who is a relative of Elfride's stepmother, is later on the point of seeking to marry Elfride, but ultimately rejects her when he learns she had been previously courted.Elfride, out of desperation, marries a third man, Lord Luxellian. The conclusion finds both suitors travelling together to Elfride, both intent on claiming her hand, and neither knowing either that she is already married or that they are accompanying her corpse and coffin as they travel.A Pair of Blue Eyes is normally categorised as one of Hardy's minor works, 'a book with a few good points but a failure as a whole'.[1][2] Like Desperate Remedies, it contains melodramatic scenes which appear disconnected from the characters and plot.[2]A focus of critical interest of the novel is the scene in which Henry Knight reviews the entire history of the world as he hangs over the edge of a cliff (reputedly the origin of the term 'cliffhanger'), and is eventually rescued by a rope of Elfride's underwear. Carl J. Weber sources the scene to a picnic Hardy and his wife had, in which he was sent to search for a lost earring, claiming this passage is the 'first indication in the novels of Hardy's ability to sustain interest in a tense situation by sheer power of vivid description.'[4] On the other hand, Millgate claims the scene forms part of the 'irrelevant' description suited to the 'rag-bag' of a novel.[4] For Jean Brooks the scene is 'macabre' and an illustration of 'cosmic indifference', also highlighting the comic in the rescue.[4]However, Gittings and Halperin claim it is more likely the idea for this scene comes from an essay by Leslie Stephen called 'Five minutes in the Alps'. The 'cliff without a name', as it is referred to, is probably based on Beeny Cliff.[4]A review in the Examiner of Far from the Madding Crowd retrospectively referred to it as 'not so exclusively pictoral [as Under the Greenwood Tree]; it was study of a more tragic kind, with more complex characters and a more stirring plot.... Both Under the Greenwood Tree and A Pair of Blue Eyes are very remarkable novels, which no one could read without admiring the close and penetrating observation, and pictoral and narrative power of the writer.'[3]Late in his life Hardy met composer Sir Edward Elgar and discussed the possibility of Elgar basing an opera on the novel. Hardy's death put an end to the project.[citation needed]BBC Radio 4 recorded the book as a serial, with Jeremy Irons as Harry Knight. Re-broadcast on Radio 4 Extra, 29–30 December 2014.This was the third of Hardy's novels to be published and the first to bear his name. It was first serialised in Tinsley's Magazine between September 1872 and July 1873.The novel is notable for the strong parallels to Hardy and his first wife Emma Gifford. In fact, of Hardy's early novels, this is probably the most densely populated with autobiographical events.

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Thomas Hardy (2 June 1840 – 11 January 1928) was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, especially William Wordsworth. He was highly critical of much in Victorian society, especially on the declining status of rural people in Britain, such as those from his native South West England.